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June 05, 2017
Lincoln Center Festival 2017 Dance Advisory
Lincoln Center Festival
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Isabel Sinistore, 212.671.4195
Lincoln Center Festival
Dance Advisory
U.S. Premiere of The Taming of the Shrew
Ballet in two acts by Jean-Christophe Maillot
Bolshoi Ballet
July 26–30
French Choreographer and Director of Les Ballets de Monte-Carlo Jean-Christophe Maillot’s
adaptation of Shakespeare’s comedy led by Ekaterina Krysanova and Kristina Kretova (Katharina),
Vladislav Lantratov, Denis Savin, and Igor Tsvirko (Petruchio), Olga Smirnova and Anastasia Stashkevich (Bianca),
and Semyon Chudin and Artem Ovcharenko (Lucentio)
Jewels
by George Balanchine
Bolshoi Ballet, New York City Ballet & Paris Opera Ballet
July 20–23
Five historic performances celebrating one of the greatest creative artists of the 20th century
on the occasion of the 50th anniversary of its landmark premiere
North American Premiere of Sleeping Water
Saburo Teshigawara / KARAS
July 13–15
Japan’s preeminent choreographer-dancer’s newest creation features
former Paris Opera Ballet etoile Aurélie Dupont, Rihoko Sato and dancers of KARAS
in a work that inhabits the border zone between wakefulness and sleep
Lincoln Center Festival 2017 features 20 international productions by innovators and iconoclasts in dance, music, theater, and film. The Festival continues its mission of globalism by inviting to Lincoln Center artists and companies from a dozen countries and five continents who are creating audacious, original, and relevant work. From July 10-30, 43 performances will animate Lincoln Center’s campus venues and beyond.
Three dance engagements bring together international artists in distinctive performances: American audiences’ first opportunity to experience the Bolshoi Ballet’s critically acclaimed The Taming of the Shrew; the world’s leading ballet companies together on a single stage in an unprecedented, international presentation of Balanchine’s masterpiece Jewels; and a fantastical, new creation by Saburo Teshigawara and his troupe KARAS. Additional information follows below. Details about the complete Lincoln Center Festival lineup may be found here and at LincolnCenterFestival.org.
The Taming of the Shrew, Ballet in two acts
Wednesday–Friday, July 26–28 at 7:30 pm
Saturday, July 29 at 2:30 and 7:30 pm
Sunday, July 30 at 2:30 pm
David H. Koch Theater
The Bolshoi Ballet will dance the U.S. premiere of The Taming of the Shrew by French Choreographer and Director of Les Ballets de Monte-Carlo Jean-Christophe Maillot. The full-evening ballet in two acts premiered in Moscow in July 2014. Based on the Shakespearean comedy, the critically acclaimed ballet is set to musical selections from film scores composed by Shostakovich, including Moscow, Cheryomushki; Counterplan; Alone; Hamlet; Pirogov; The Gadfly; Sofia Perovskaya; and The Great Citizen, as well as excerpts from Symphony No. 9, Op. 70, and String Quartet No. 8.
For his ballet, created as a commission for the Bolshoi, Maillot recasts the tempestuous lovers Katharina and Petruchio as equals in a witty battle of the sexes. Returning to his classical roots, Maillot shapes a virtuosic and fast-paced work that fully exploits the company’s signature strengths—technical brilliance and character development.
Bolshoi Ballet, Makhar Vaziev, Ballet Director
Music Dmitri Shostakovich
Choreographer Jean-Christophe Maillot
Set Design Ernest Pignon-Ernest
Costume Design Augustin Maillot
Lighting & Video Projection Dominique Drillot
Dramatist Jean Rouaud
New York City Ballet Orchestra
Conductor Igor Dronov
Wednesday, July 26 at 7:30 pm; Friday, July 28 at 7:30 pm; Saturday, July 29 at 7:30 pm; Sunday, July 30 at 2:30 pm
Katharina: Ekaterina Krysanova
Petruchio: Vladislav Lantratov
Bianca: Olga Smirnova
Lucentio: Semyon Chudin
Hortensio: Igor Tsvirko
Gremio: Vyacheslav Lopatin
Widow: Yulia Grebenshchikova
Baptista: Artemy Belyakov
Housekeeper: Yanina Parienko
Grumio: Georgy Gusev
Thursday, July 27 at 7:30pm
Katharina: Kristina Kretova
Petruchio: Denis Savin
Bianca: Anastasia Stashkevich
Lucentio: Artem Ovcharenko
Hortensio: Alexander Smoliyaninov
Gremio: Denis Medvedev
Widow: Anna Balukova
Baptista: Karim Abdullin
Housekeeper: Victoria Litvinova
Grumio: Evgeny Truposkiadi
Saturday, July 29 at 2:30pm
Katharina: Kristina Kretova
Petruchio: Igor Tsvirko
Bianca: Anastasia Stashkevich
Lucentio: Artem Ovcharenko
Hortensio: Alexander Smoliyaninov
Gremio: Denis Medvedev
Widow: Anna Balukova
Baptista: Karim Abdullin
Housekeeper: Victoria Litvinova
Grumio: Alexei Matrakhov
Running time: 1 hour, 45 minutes
Made possible in part by The Harkness Foundation for Dance.
Endowment support for the Lincoln Center Festival 2017 presentation of Taming of the Shrew is provided by Blavatnik Family Foundation Fund for Dance.
Bolshoi Ballet gratefully acknowledges the support of its General Sponsor, Credit Suisse.
Official Sponsor of the Bolshoi Ballet, Nestle Company.
Jewels
Thursday, July 20 at 7:30 pm; Saturday, July 22 at 2:30 pm and 7:30 pm
Emeralds: Paris Opera Ballet; Rubies: New York City Ballet; Diamonds: Bolshoi Ballet
Friday, July 21 at 7:30 pm; Sunday, July 23 at 2:30 pm
Emeralds: Paris Opera Ballet; Rubies: Bolshoi Ballet; Diamonds: New York City Ballet
David H. Koch Theater
Legendary choreographer George Balanchine’s Jewels was created for the New York City Ballet in 1967 and is considered a pivotal masterpiece of 20th-century dance, a beloved and essential staple of the repertory. To celebrate the 50th anniversary of its landmark premiere, which took place on April 13, 1967, Lincoln Center Festival presents an unprecedented, international tribute. For the occasion, three of the world’s leading ballet companies—Bolshoi Ballet, New York City Ballet, and Paris Opera Ballet—will share the stage for five historic performances in the theater where Jewels was first performed.
In what is known as the first three-act, plotless ballet, Balanchine’s choreography for Jewels is inspired by precious gems—emeralds, rubies, and diamonds—each, in the eyes of many, showcasing a different international style of ballet. Emeralds, with music by Fauré, represents the French style and evokes dreamy romanticism; Rubies, with music by Stravinsky, conjures the Jazz Age in America with its wit, energy, and exuberance; and Diamonds, with music by Tchaikovsky, epitomizes the grandeur of the Russian style.
The New York City Ballet Orchestra, under the direction of NYCB Music Director Andrew Litton, will perform for the complete engagement. Jewels will be staged with the sets from the current NYCB production by Peter Harvey, lighting by NYCB’s Resident Lighting Director Mark Stanley, and costumes from each company’s current production, with the Bolshoi Ballet wearing costumes by Elena Zaitseva, the New York City Ballet wearing Karinska’s original costume designs, and the Paris Opera Ballet wearing costumes by Christian Lacroix.
Casting for each performance was previously announced and may be found here.
Bolshoi Ballet, Makhar Vaziev, Ballet Director
New York City Ballet, Peter Martins, Ballet Master in Chief
Paris Opera Ballet, Aurélie Dupont, Director of Dance
New York City Ballet Orchestra
Music Director and Conductor Andrew Litton
Choreography by George Balanchine © The George Balanchine Trust
Running time: 2 hours, 10 minutes
Made possible in part by the members of the Producers Circle.
Major support provided by the LuEsther T. Mertz Charitable Trust.
Additional support provided by Jennie L. and Richard K. DeScherer, Lepercq Charitable Foundation in Memory of Paul Lepercq, The Harkness Foundation for Dance, and The Joelson Foundation.
Endowment support for the Lincoln Center Festival 2017 presentation of Jewels is provided by Blavatnik Family Foundation Fund for Dance.
Bolshoi Ballet gratefully acknowledges the support of its General Sponsor, Credit Suisse.
Official Sponsor of the Bolshoi Ballet, Nestle Company.
Travelers is the global sponsor for New York City Ballet.
Sleeping Water, North American Premiere
Thursday–Saturday, July 13–15 at 7:30 pm
Rose Theater, Jazz at Lincoln Center’s Frederick P. Rose Hall
Japan’s preeminent choreographer-dancer Saburo Teshigawara and his troupe KARAS return to Lincoln Center Festival with his newest work featuring the former étoile and new Director of Dance of the Paris Opera Ballet, Aurélie Dupont. Sleeping Water unfolds in a dreamlike landscape that invites the audience into “a floating world without borders” (RFI Radio France), inhabiting the border zone between wakefulness and sleep. The work is set to a soundtrack of Bach, Schnittke, and ambient electronica and incorporates evocative stagecraft, such as transparent furniture, floating set pieces, and shimmering surfaces.
Long a champion of Teshigawara, past Lincoln Center Festivals have featured works including his haunting Bones in Pages, which received accolades at its North American premiere in 2006, and the mesmerizing solo Miroku, which he danced at Festival 2010.
Teshigawara’s finely honed sculptural sensibilities and powerful sense of composition, his command of space, keen interest in music, fascination with contrasts and extremes, and his distinctive dance movements all come together to create a unique world of sight, sound, and movement. As a choreographer and dancer with KARAS (“crow” in Japanese), he continues to experiment with visual art, film, and video, as well as scenic, lighting, and costume design, to create bold and distinctive work.
Saburo Teshigawara / KARAS
Choreography, Scenic, Lighting, and Costume Design Saburo Teshigawara
Dancers Saburo Teshigawara, Rihoko Sato, Maria Chiara Mezzadri, Eri Wanikawa, Rika Kato, Junya Okazaki
Special guest Aurélie Dupont
Running time: 70 minutes
Production: Tokyo Metropolitan Theatre, Aichi Arts Center, Hyogo Performing Arts Center, KARAS.
Administration: KARAS.
Production, touring: Richard Castelli – Epidemic.
These performances are supported by the Agency for Cultural Affairs Government of Japan in fiscal year 2017.
Corporate Support is provided by Mitsui & Co. (U.S.A), Inc., Mitsubishi Corporation (Americas), Sumitomo Corporation of Americas, J.C.C. Fund of the Japanese Chamber of Commerce and Industry of New York, and Nippon Steel & Sumitomo Metal U.S.A., Inc.
Made possible in part by The Harkness Foundation for Dance.
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ARTIST BIOS
The Taming of the Shrew
The Bolshoi Ballet
One of the oldest and largest ballet companies in the world, the Bolshoi Ballet, now celebrating its 241st season, is renowned for its unique style, characterized by true virtuosity and incredible stage presence, and for combining great classical tradition with a fresh approach. Known throughout its illustrious history for championing new work, the Bolshoi Ballet was the first company to stage Tchaikovsky’s Swan Lake and Minkus’s Don Quixote and continues to expand its repertory in current times with new works such as The Taming of the Shrew, Hamlet, and A Hero of Our Time. The hallmark of the company is the dancers, whose range and artistic virtuosity harken back to legends such as Galina Ulanova, Vladimir Vasiliev, Maya Plisetskaya, and Ekaterina Maximova. Much of the Bolshoi’s legacy can be attributed to Yuri Grigorovich, who was the artistic director for more than 30 years and who will celebrate his 90th birthday this season. Today’s Bolshoi artists, Svetlana Zakharova, Maria Alexandrova, Ekaterina Krysanova, Vladislav Lantratov, Artem Ovcharenko, Seymon Chudin, Denis Rodkin, and others—coached by Liudmila Semeniaka, Marina Kondratieva, Svetlana Adyrchayeva, Nikolai Fadeechev, Boris Akimov, Alexander Vetrov, and others—ensure that under the leadership of Makhar Vaziev the Bolshoi’s standards are held as high as ever. The Bolshoi last performed in New York in 2014 as part of Lincoln Center Festival when it danced Swan Lake, Don Quixote, and Spartacus. This will be the company’s first U.S. appearance since Vaziev, former director of the Mariinsky Ballet and La Scala Ballet, was appointed Ballet Director in 2016. bolshoi.ru/en/
Jean-Christophe Maillot, Choreographer-Director of Les Ballets de Monte-Carlo
Over a 30-year career, French choreographer Jean-Christophe Maillot has created some 80 works, 40 of them for Les Ballets de Monte-Carlo where he has served as Choreographer-Director since his appointment by H.R.H. the Princess of Hanover in 1993. Born in 1960, he studied dance and piano at the Conservatoire National de Région de Tours, before joining the Rosella Hightower International School of Dance in Cannes. After winning the Prix de Lausanne in 1977, he joined the Hamburg Ballet, where he danced in principal roles as a soloist for five years before an accident ended his dance career. In 1983, Maillot was appointed choreographer and director of the Ballet du Grand Théâtre de Tours, which later became a National Centre of Choreography. He created 20 ballets for the company. His first work for Les Ballets de Monte-Carlo, in 1987, Le Mandarin Merveilleux, met with great success. Under his guidance for the past 25 years, the company of 50 dancers has reached new levels of excellence. Works created for the company are currently in the repertoires of major international companies including Les Grands Ballets Canadiens, Pacific Northwest Ballet, Royal Swedish Ballet, Stuttgart Ballet, and American Ballet Theatre. In 2011, in a major development for dance in Monaco, a single organization designated Les Ballets de Monte-Carlo was created to incorporate the Ballets de Monte-Carlo Company, the Monaco Dance Forum Festival, and the Princess Grace Academy.
Maillot has also staged operas (Faust and Norma), and created the films Cinderella and Le Songe. He is the recipient of numerous awards and commendations, including France’s Chevalier of the Légion d’honneur and Commandeur of the Ordre du Mérite Culturel de la Principauté de Monaco. In 2015, The Taming of the Shrew received Russia’s prestigious Golden Mask Award. balletsdemontecarlo.com/en/jean-christophe-maillot
Sleeping Water
Saburo Teshigawara & KARAS
Dancer, choreographer, filmmaker, and visual artist Saburo Teshigawara began his professional career in 1981 in his native Tokyo after formal studies in fine arts, sculpture, and classical ballet. He formed his company KARAS (which means “crow” in Japanese) in 1985 and with co-founder, dancer Kei Miyata, began creating visionary, contemporary dance-art works. His stated mission was to search for a “new form of beauty” by ignoring conventions and strict categorization in dance and to create a new language of expression fusing movement, visual arts, and music.
His work came to prominence in Japan in the late 1980s. Since the early ’90s, he and KARAS have appeared regularly in Europe, Canada, and Oceania, touring major theaters and festivals around the world. Teshigawara has created more than 45 dance works with KARAS, as well as work for the Bavarian State Ballet, Ballet Frankfurt, Nederlands Dans Theater, Paris Opera Ballet, the Ballet du Grand Théâtre de Genève, and other companies.
Teshigawara started S.T.E.P. (Saburo Teshigawara Education Project) in 1985 in partnership with the London International Festival of Theatre and The Place, to work with students and young artists on yearlong projects that culminate in formal performances. In Japan, ongoing workshops with middle- and high-school students have evolved into the Dance of Air performance series, which has received wide attention and critical acclaim. The year 2013 marked the opening of KARAS APPARATUS in Tokyo. The compact three-floor space, consisting of a hall, rehearsal studio, and gallery, was designed specifically for creating and realizing Teshigawara's philosophy and vision.
A professor at Japan’s Rikkyo University from 2006 to 2013, and since 2014 at the Tama Art University, Teshigawara teaches movement theory and conducts workshops. He is the recipient of numerous honors, including the Purple Ribbon Prize in 2009, one of Japan’s highest honors given to artists. st-karas.com/index_en
Jewels
The Bolshoi Ballet (see above)
New York City Ballet
New York City Ballet is one of the foremost dance companies in the world, with an unparalleled repertory of ballets—most of them created for NYCB—many of which are considered modern masterpieces. The company was founded in 1948 by arts patron Lincoln Kirstein and the legendary choreographer George Balanchine, who served as Ballet Master of NYCB from its inception until his death, in 1983, and created a company of dancers known for their speed and musicality. In 1949, Jerome Robbins joined the company as associate artistic director. In 1964 NYCB moved to its current home at Lincoln Center’s New York State Theater (now the David H. Koch Theater), which was built especially for Balanchine and NYCB. Now under the direction of Ballet Master in Chief Peter Martins and Executive Director Katherine Brown, the company has more than 90 dancers, a 62-member orchestra, an official school (School of American Ballet), an institute for choreography (New York Choreographic Institute), and an annual 21-week season in New York City. Widely acknowledged for its enduring contributions to dance, NYCB is committed to promoting creative excellence and nurturing a new generation of dancers and choreographers. For more information, visit NYCBallet.com.
Paris Opera Ballet
The origins of the Paris Opera Ballet date to 1661 when Louis XIV established the Royal Academy of Dance and later merged it with the Royal Academy of Music in 1669. It was here that theatrical dance flourished and evolved during the 18th- and early 19th-centuries, and the forms and techniques of classical ballet emerged, to be shaped and honed by generations of virtuoso dancers and choreographers. While maintaining its great historic traditions and classical ballets by such eminent dancers and choreographers as Jean Coralli and Jules Perrot, and 20th-century works by innovators such as Maurice Béjart, Serge Lifar, and Rudolf Nureyev, the company has over the last 20 years built a large repertory of works created for it by celebrated contemporary choreographers, including Anne Teresa De Keersmaeker, Mats Ek, William Forsythe, Jirí Kylián, Susanne Linke, Édouard Lock, Wayne McGregor, Benjamin Millepied, Angelin Preljocaj, Alexei Ratmansky, Saburo Teshigawara, and Sasha Waltz, to name a few. The Paris Opera Ballet is composed of 154 dancers, drawn, for the most part, from the Paris Opera Ballet School directed by Élisabeth Platel. The average age is around 25, making this one of the most youthful of today’s companies. Aurélie Dupont, a former étoile retired in 2015, officially became Paris Opera’s Director of Dance in August 2016. The festival performances will mark the company’s first U.S. appearance since she assumed the directorship. For more information, visit OperaDeParis.fr/en/artists/ballet.
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Lincoln Center Festival has received worldwide attention for presenting some of the broadest and most original performing arts programs in Lincoln Center’s history. The festival has presented some 1,465 performances of opera, music, dance, theater, and interdisciplinary forms by internationally acclaimed artists from more than 50 countries. To date, the festival has commissioned more than 44 new works and offered some 145 world, U.S., and New York premieres. It places particular emphasis on showcasing contemporary artistic viewpoints and multidisciplinary works that challenge the boundaries of traditional performance. LincolnCenterFestival.org
Lincoln Center for the Performing Arts (LCPA) serves three primary roles: presenter of artistic programming, national leader in arts and education and community engagement, and manager of the Lincoln Center campus. A presenter of more than 3,000 free and ticketed events, performances, tours, and educational activities annually, LCPA offers 16 series, festivals, and programs, including American Songbook, Avery Fisher Career Grants and Artist program, David Rubenstein Atrium programming, Great Performers, The Performing Arts Hall of Fame at Lincoln Center, Lincoln Center at the Movies, Lincoln Center Emerging Artist Awards, Lincoln Center Festival, Lincoln Center Out of Doors, Lincoln Center Vera List Art Project, Midsummer Night Swing, Mostly Mozart Festival, White Light Festival, the Emmy Award–winning Live From Lincoln Center, which airs nationally on PBS, and Lincoln Center Education, which is celebrating 40 years enriching the lives of students, educators, and lifelong learners. As manager of the Lincoln Center campus, LCPA provides support and services for the Lincoln Center complex and the 11 resident organizations: The Chamber Music Society of Lincoln Center, The Film Society of Lincoln Center, Jazz at Lincoln Center, The Juilliard School, Lincoln Center Theater, The Metropolitan Opera, New York City Ballet, New York Philharmonic, The New York Public Library for the Performing Arts, School of American Ballet, and Lincoln Center for the Performing Arts.
Lincoln Center has become a leading force in using new media and technology to reach and inspire a wider and global audience. Reaching audiences where they are – physically and digitally – has become a cornerstone of making the performing arts more accessible to New Yorkers and beyond. The re-imagination of David Geffen Hall will play an important part in these efforts. For more information, visit LincolnCenter.org.
Lincoln Center is committed to providing and improving accessibility for people with disabilities. For information, call the Department of Programs and Services for People with Disabilities at 212.875.5375.
***
Lincoln Center Festival lead support is provided by American Express.
Endowment support is provided by Doris Duke Charitable Foundation and Nancy Abeles Marks.
Lincoln Center Festival 2017 is also made possible by The Shubert Foundation, LuEsther T. Mertz Charitable Trust, The Harold & Mimi Steinberg Charitable Trust, Virginia B. Toulmin Foundation, The Katzenberger Foundation, Inc., Mitsui & Co. (U.S.A.), Inc., Mitsubishi Corporation (Americas), Jennie L. and Richard K. DeScherer, Lepercq Charitable Foundation in Memory of Paul Lepercq, Sumitomo Corporation of Americas, J.C.C. Fund of the Japanese Chamber of Commerce and Industry of New York, FACE Foundation, The Harkness Foundation for Dance, The Joelson Foundation, Great Performers Circle, Producers Circle, Chairman’s Council, and Friends of Lincoln Center.
Public support for Festival 2017 is provided by the New York City Department of Cultural Affairs and
New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
American Airlines is the Official Airline of Lincoln Center.
Nespresso is the Official Coffee of Lincoln Center.
NewYork-Presbyterian is the Official Hospital of Lincoln Center.
“Summer at Lincoln Center” is supported by Pepsi Zero Sugar.
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